{"version":"1.0","provider_name":"\u00c1gua Lusa - Artes de Alcoba\u00e7a","provider_url":"https:\/\/agualusaartes.pt\/en\/","author_name":"\u00c1gua Lusa","author_url":"https:\/\/agualusaartes.pt\/en\/author\/agualusa\/","title":"In\u00eas: in the poetry of Resende, Cam\u00f5es, Bocage and Vieira - \u00c1gua Lusa - Artes de Alcoba\u00e7a","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"MMeEhr6UX7\"><a href=\"https:\/\/agualusaartes.pt\/en\/product\/other-selected-poems-copia\/\">In\u00eas: in the poetry of Resende, Cam\u00f5es, Bocage and Vieira<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/agualusaartes.pt\/en\/product\/other-selected-poems-copia\/embed\/#?secret=MMeEhr6UX7\" width=\"600\" height=\"338\" title=\"&#8220;In\u00eas: in the poetry of Resende, Cam\u00f5es, Bocage and Vieira&#8221; &#8212; \u00c1gua Lusa - Artes de Alcoba\u00e7a\" data-secret=\"MMeEhr6UX7\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/agualusaartes.pt\/wp-content\/uploads\/2025\/04\/Ines.webp","thumbnail_width":1200,"thumbnail_height":1200,"description":"The Trovas \u00e0 Morte de In\u00eas de Castro, by Garcia de Resende, are the oldest poetic composition on this theme to date and, in addition to their poetic beauty, offer us the chance to appreciate the characteristics of traditional medieval writing. And the stanzas that Cam\u00f5es dedicates to him in Canto III of Os Lus\u00edadas, of classicist inspiration, perhaps reach the highest point of poetic literature on this tragic and supreme romance. But this edition also includes two other remarkable pieces: Bocage's Cantata \u00e0 Morte de In\u00eas de Castro, and the beautiful Soneto dos T\u00famulos by the poet who sang In\u00eas the most in the 20th century: Afonso Lopes Vieira. The tombs, sumptuously sculpted, are said to have been placed face to face in the transept of the Monastery of Alcoba\u00e7a by Dom Pedro's design: eye to eye, this is how they will meet on the day of their ascension to a new life.   Language: Portuguese"}