1.0Água Lusa - Artes de Alcobaçahttps://agualusaartes.pt/en/Água Lusahttps://agualusaartes.pt/en/author/agualusa/Inês: in the poetry of Resende, Camões, Bocage and Vieira - Água Lusa - Artes de Alcobaçarich600338<blockquote class="wp-embedded-content" data-secret="mF4jXctekR"><a href="https://agualusaartes.pt/en/product/other-selected-poems-copia/">Inês: in the poetry of Resende, Camões, Bocage and Vieira</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://agualusaartes.pt/en/product/other-selected-poems-copia/embed/#?secret=mF4jXctekR" width="600" height="338" title="“Inês: in the poetry of Resende, Camões, Bocage and Vieira” — Água Lusa - Artes de Alcobaça" data-secret="mF4jXctekR" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
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https://agualusaartes.pt/wp-content/uploads/2025/04/Ines.webp12001200The Trovas à Morte de Inês de Castro, by Garcia de Resende, are the oldest poetic composition on this theme to date and, in addition to their poetic beauty, offer us the chance to appreciate the characteristics of traditional medieval writing. And the stanzas that Camões dedicates to him in Canto III of Os Lusíadas, of classicist inspiration, perhaps reach the highest point of poetic literature on this tragic and supreme romance. But this edition also includes two other remarkable pieces: Bocage's Cantata à Morte de Inês de Castro, and the beautiful Soneto dos Túmulos by the poet who sang Inês the most in the 20th century: Afonso Lopes Vieira. The tombs, sumptuously sculpted, are said to have been placed face to face in the transept of the Monastery of Alcobaça by Dom Pedro's design: eye to eye, this is how they will meet on the day of their ascension to a new life. Language: Portuguese